miercuri, 4 mai 2011

[13Witches] Digest Number 7400

Messages In This Digest (20 Messages)

1.
Federal Guidelines for Religion in Public Schools From: Lady Nightshayde
2a.
The Test of Spirit and the Tarot From: Lady Nightshayde
2b.
Re: The Test of Spirit and the Tarot From: Tammy Jackson-Cruz
2c.
Re: The Test of Spirit and the Tarot From: Lady Nightshayde
3a.
13 Witches List Rules From: 13Witches-owner@yahoogroups.com
4.
Fw: DailyOM: Finding Answers Within From: Beth Patterson
5a.
Fw: Daily Ray of Hope From: Beth Patterson
6a.
Theatrical Ritual From: Lady Nightshayde
7.1.
Elder's Meditation of the Day From: Lady Nightshayde
8.
How Did Magical Creatures Come to Be? From: Lady Nightshayde
9.1.
Today's Quote From: Lady Nightshayde
10a.
The History of Mother's Day From: Lady Nightshayde
11.1.
Cool Website of the Day From: Lady Nightshayde
12.
Moon Readings From: Lady Nightshayde
13a.
Eleven Things Every Witch Should Know From: Lady Nightshayde
14a.
Witch Rosary From: Lady Nightshayde
15a.
What is a Wicked Witch? From: Lady Nightshayde
16.
The Dancers Tarot - "The Chariot" From: Moti
17.
Article about Bin Laden's Death From: Lady Nightshayde
18.
Names for Healing Circle, 5/4/2011, 12:00 am From: 13Witches@yahoogroups.com

Messages

1.

Federal Guidelines for Religion in Public Schools

Posted by: "Lady Nightshayde" LadyNightshayde9@aol.com   nightshayde99

Tue May 3, 2011 7:26 am (PDT)





Federal Guidelines for Religion in Public Schools
By Patti Wigington, About.com Guide

Federal guidelines establish the rules for religious expression in public schools.
Image © John Giustina/Getty Images

A frequent topic that comes up on this website is that of religious expression in public schools. Who can speak about religion? What are the boundaries? Is it okay for teachers to be involved? Can school districts prevent students from wearing shirts or jewelry with religious themes? Believe it or not, all of that information is standard across the board, thanks to federal guidelines on religious expression in public schools.
Back in 1995, US Secretary of Education Richard W. Riley sent every school superintendent in America this set of guidelines to follow, and those rules are still in place today. This is a brief summary of what those guidelines say and what they mean - for a more thorough and detailed explanation, please be sure to read Riley's statement at Religious Guidelines in Public Schools.

Student Prayer and Religious Discussion: Prayer and discussion of religion by students is not prohibited. Students are welcome to engage in these activities as long as they do so in a non-disruptive manner. Students may also attempt to persuade other students about their beliefs -- just like they can attempt to persuade them about political matters -- but they may not engage in harassment of a particular group. In other words, if Joey wants to tell Jane about his religion, he's welcome to -- but what he can't do is follow her around and shout that she's going to burn in hell because she believes differently than he does. Before or after-school activities, such as "See You at the Pole" events, are permitted, as long as they take place without the encouragement (or discouragement) of school officials and teachers. Finally, the right to share religious beliefs does not include the right to a captive audience -- Joey can tell Jane about his religion, but Jane is not required to sit and hear about it.


Teaching About Religion: Public schools are not permitted to teach religious courses, but they are allowed to teach about religion. This includes the use of works like the Bible and Koran as literature. It's also allowed for them to teach about the influence that religion has had on such things as history, art, music, and culture. For instance, an English Lit teacher might choose to teach Dante's Inferno or Milton's Paradise Lost, both of which would require a basic understanding of Biblical concepts.


Homework and Other Assignments: Students are permitted to express their beliefs in their assignments. For example, if Joey wants to paint an image of Mary Magdalene in art class, he is welcome to -- but Jane is also permitted to paint an image of Cernunnos if she chooses. Teachers may not discriminate when it comes to grades, based solely on the religious content of a student's assignment. In other words, even work with a religious theme has to be judged by its academic merit, just like every other piece of student work.


Student Clothing: When it comes to clothing, schools get a lot of leeway from the government as far as setting dress code. Ideally, no articles of student clothing should be disruptive. Students can wear clothing that contains religious messages, but only within the confines of the "not disruptive" rules. In other words, Joey can wear a shirt that says, "I love Jesus," but he probably can't wear a shirt that says, "Kill all the Muslims, Wiccans and Jews."


Religious Excusals: The Federal government gives the power to the state and to individual school districts to determine whether or not students can be excused from lessons that are "objectionable" to the student on religious grounds. If Joey wished to be excused from a lesson -- for example, science class is teaching evolution, and he's a devout believer in Creationism -- then this is something that has to be taken up at a district level, and not a federal one.


Administrative Neutrality: Teachers and other school officials are considered representatives of the state, so the establishment clause prohibits them from being involved with student religious activity. They're not permitted to solicit, encourage, or participate in any sort of religious activity with the students. On the flip side, they are also not permitted to discourage or prevent any activity because of its religious content. If Joey wants to form a Christian Student Club, he can do so, but teachers aren't permitted to be involved. Likewise, if Jane wants to form a Pagan Student Association, those same teachers may not prevent her from doing so.



Finally, the Equal Access Act is designed to make sure that student religious activities are afforded the same access in public schools facilities as non-religious groups. Be sure to read about the rights of Pagan students if you've got a child attending public school.

Pagans at School

How to Protect Your Legal Rights
Your Rights as a Pagan Parent
http://paganwiccan.about.com/b/2011/05/02/teacher-told-to-end-bible-verses-praying-in-class.htm?nl=1

The light of a hundred stars cannot equal the light of the Moon.

Love Each Day,
Lady Nightshayde

http://groups.yahoo.com/group/13Witches/
http://groups.yahoo.com/group/WhisperingWitches/
http://groups.yahoo.com/group/MagickalMeals/
http://groups.yahoo/group/NightshaydesNews

2a.

The Test of Spirit and the Tarot

Posted by: "Lady Nightshayde" LadyNightshayde9@aol.com   nightshayde99

Tue May 3, 2011 8:14 am (PDT)



The Test of Spirit and The Tarot

When we undergo challenging times, we can look upon them as "spirit tests."
When viewed from this perspective, our challenges can be lessened. We can
learn to accept spirit tests as valuable times of spiritual growth. The gods
challenge us or put us through such a test when a weak aspect of our native
composition is ready to be strengthened. Spirit tests are likened to the
saying "Walk your talk"--for it's our "talk" that is challenged.

We can use tarot cards to help us understand these unnerving tests by
performing divination or choosing several cards to use as a
meditative tool. The High Priestess card can be used as a starting point.
The High Priestess card is the companion card to the Moon card. Two
additional cards connected to the High Priestess are the Queen of Fire and the King
of Water. Used together, all four cards are powerful meditative tools.

The High Priestess: "You have arrived at the portal to the garden of the
Goddess," she says. "The Great Mother's daughter, her holy priestess, the
Maiden Goddess, must ask you of your worthiness. There is only one answer, which
you must give from your heart. The wisdom and teachings of the mysteries
are beckoning to you to move deeper."

Each person's answer is recorded in the book of life, which the
priestess holds open. Therefore, while she may already know the answer you
will give, only you can give the correct answer, and there is only one
answer. A spirit test is asking us that question, asking us to redefine our
beliefs, and get clear on who we are. Meditation on this card moves our focus
inward, where we can touch our inner light.

The Moon: The Moon tells us: "The dark night of the soul is upon
you. It is time to reevaluate your innermost beliefs and come to terms with
those that no longer resonate for you. In doing so, you find your inner
light, a soft, gentle light not unlike that of the Full Moon. Discover the
mystery that is you."

One of the powers portrayed or represented by the Full Moon is
divination. The goddess Brigid (a tie-in to the High Priestess card) seems
to become the patron goddess of divination. A spirit test challenges us to
find our deepest or strongest connection to deity. Brigid, as a goddess of
inspiration and clarity, can help demystify the test. Meditation on this card
can put us back in touch with who we are.

The Queen of Fire: "The magic of the faery world touches your
heart," she says. "The call of the Morrigan reaches the ears of those
individuals who are attuned to the south winds; become the warrior of the ancient
ones; one who is walking their talk without hesitation."

The symbolism of this card can open the heart center and activate the fire
in the belly; for this card represents spirit made manifest, creative energy,
and the upholding of truth. In the Faery Wicca Tarot, this card is given the
animal totem of Crow. Crow teaches skill, cunning, and single-mindedness.
Through the lesson of this totem, one can receive wise and knowledgeable
information; for Crow is the sacred law. Meditation on this card solidifies our
truth.

The King of Water: "The magic of the faery world will fill you with
laughter," he says. "The ancient knowledge is given freely to any willing to
submerge ego in the abyss to be reborn with second sight."

The King of Water is connected to the alder, the tree of strength and
resurrection. Both bring protection needed in times of personal conflict. His
card represents dreams and the subconscious mind. Through meditation with this
card, we can understand that the challenge is for us to resurface, to move
back into alignment with the dance of spirit, to realize the dream awakening.
Meditation on this card moves us back into the heart of truth.

Together, all four cards create an aura of wholeness, through which the
self, fractured by the spirit test, can be healed.
by Kisma K. Stepanich

The light of a hundred stars cannot equal the light of the Moon.

Love Each Day,
Lady Nightshayde

http://groups.yahoo.com/group/13Witches/
http://groups.yahoo.com/group/WhisperingWitches/
http://groups.yahoo.com/group/MagickalMeals/
http://groups.yahoo/group/NightshaydesNews

=
2b.

Re: The Test of Spirit and the Tarot

Posted by: "Tammy Jackson-Cruz" tammycruz2003@msn.com   sexy_enchanting_goddess

Tue May 3, 2011 9:21 am (PDT)





Follow the magic in your heart. It is the inspiration for your life. ~Adèle Basheer

The Test of Spirit and The Tarot

The Queen of Fire: "The magic of the faery world touches your
heart," she says. "The call of the Morrigan reaches the ears of those
individuals who are attuned to the south winds; become the warrior of the ancient
ones; one who is walking their talk without hesitation."

The symbolism of this card can open the heart center and activate the fire
in the belly; for this card represents spirit made manifest, creative energy,
and the upholding of truth. In the Faery Wicca Tarot, this card is given the
animal totem of Crow. Crow teaches skill, cunning, and single-mindedness.
Through the lesson of this totem, one can receive wise and knowledgeable
information; for Crow is the sacred law. Meditation on this card solidifies our
truth.

Love Each Day,
Lady Nightshayde

Once again, Lady N, you have the exact advice I need without my asking. (((HUGS))) to you, sweet Lady, and thank you.

2c.

Re: The Test of Spirit and the Tarot

Posted by: "Lady Nightshayde" LadyNightshayde9@aol.com   nightshayde99

Tue May 3, 2011 10:01 am (PDT)






Once again, Lady N, you have the exact advice I need without my asking. (((HUGS))) to you, sweet Lady, and thank you.

I'm glad it was helpful to you


The light of a hundred stars cannot equal the light of the Moon.

Love Each Day,
Lady Nightshayde

http://groups.yahoo.com/group/13Witches/
http://groups.yahoo.com/group/WhisperingWitches/
http://groups.yahoo.com/group/MagickalMeals/
http://groups.yahoo/group/NightshaydesNews

-----Original Message-----
From: Tammy Jackson-Cruz <tammycruz2003@msn.com>#AOLMsgPart_2_488c6a09-589d-48f9-a786-35d238a8483f td{color: black;} #AOLMsgPart_2_488c6a09-589d-
3a.

13 Witches List Rules

Posted by: "13Witches-owner@yahoogroups.com" 13Witches-owner@yahoogroups.com

Tue May 3, 2011 9:45 am (PDT)



Greetings to the list members; here are the rules for the 13Witches
group:

Please cut and paste or trim your posts when replying to an e-mail. If
you don't know how to do this, look in the 'Files' section for "Please
Trim Posts' file."

Bashing of ANY religion is not allowed on this list. If you wish to
relate a personal experience, you may do so, but to post generalizations
of a negative nature is not allowed, and will get you on moderated
status.

NO political discussions! We prefer to keep political discussions
off this group. If you would like to talk about politics, please take
it to another group. If you continue to send political posts, you
will be moderated.

Please do not advertise or solicit your business or group in an email
message to the group without prior permission from group owner.
You can share a small note and your link to
your Website, if you have updates or a new page or a new blog
entry, but advertisements and soliciting are not allowed.

You're more than welcome to use signatures at the bottom of your
emails with links to your website and a short comment about your site,
store, quote, workshop, classes, etc. Please keep your
signature to eight lines or less with small or medium size fonts
I don't encourage advertisements in emails due to the high amount
of emails, members and the purpose of this group. I do encourage
announcements with links and important articles you would like to
share.

You will be Moderated and possibly terminated from the group if you
are argumentative or stir up the group continuously in a
negative type manner.

No spamming, chain letters, or virus warnings should be posted.

Please observe general Netiquette. Be courteous and respectful when
responding to a post. We are all here to share and learn, so everyone's
opinion matters!

. **Articles** posted on this list are for the 13Witches members'
enjoyment. Please do not use these posts as a part of the agenda for
your online school, group, etc. DO NOT forward articles posted on this
list to other lists without the poster's permission.

If you have a problem or a concern about anything, please e-mail one
of us: Lady Nightshayde--LadyNightshayde9@aol.com
<mailto:Nightshayde--LadyNightshayde9@aol.com> ;
Fran--tygermoonfoxx@gmail.com <mailto:Fran--tygermoonfoxx@gmail.com> ;
Ani--ani_shadowdragon@peoplepc.com
<mailto:Ani--ani_shadowdragon@peoplepc.com> ; Lady Hawk,
ladyhawk_jax@yahoo.com <mailto:ladyhawk_jax@yahoo.com> .

Blessed Be,
Lady Silver Luna Nightshayde
Owner, 13Witches

4.

Fw: DailyOM: Finding Answers Within

Posted by: "Beth Patterson" purrrpaws4444@yahoo.com   purrrpaws4444

Tue May 3, 2011 4:53 pm (PDT)





Today's DailyOM brought to you by:


 

 

May 3, 2011
Finding Answers Within
You Have All the Answers Within You

When you realize that you always have the answers within yourself, you can stop searching outside of yourself.

Many of us seek the answers to life's questions by looking outside of ourselves and trying to glean advice from the people around us. But as each of us is unique, with our own personal histories, our own sense of right and wrong, and our own way of experiencing the world that defines our realities, looking to others for our answers is only partially helpful. The answers to our personal questions can be most often found by looking within. When you realize that you always have access to the part of you that always knows what you need and is meant to act as your inner compass, you can stop searching outside of yourself. If you can learn to hear, trust, and embrace the wisdom that lives within you, you will be able to confidently navigate your life.

Trusting your inner wisdom may be awkward at first, particularly if you grew up around people who taught you to look to others for answers. We each have exclusive access to our inner knowing. All we have to do is remember how to listen. Remember to be patient as you relearn how to hear, receive, and follow your own guidance. If you are unsure about whether following your inner wisdom will prove reliable, you may want to think of a time when you did trust your own knowing and everything worked out. Recall how the answers came to you, how they felt in your body as you considered them, and what happened when you acted upon this guidance. Now, recall a time when you didn't trust yourself and the results didn't work out as you had hoped. Trusting your own guidance can help you avoid going against what you instinctively know is right for you.

When you second guess yourself and go against what you know to be your truth, you can easily go off course because you are no longer following your inner compass. By looking inside yourself for the answers to your life's questions, you are consulting your best guide. Only you can know the how's and why's of your life. The answers that you seek can be found when you start answering your own questions.

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10. Heal Your Money Karma

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Beth
Blessed, Mystical, Magickal Cats
                       &
Curious, Creative, Clever Bunnies
5a.

Fw: Daily Ray of Hope

Posted by: "Beth Patterson" purrrpaws4444@yahoo.com   purrrpaws4444

Tue May 3, 2011 4:54 pm (PDT)





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6a.

Theatrical Ritual

Posted by: "Lady Nightshayde" LadyNightshayde9@aol.com   nightshayde99

Tue May 3, 2011 7:24 pm (PDT)




Theatrical Ritual

A friend of mine once asked: "Why is Pagan ritual always so
dramatic?" I quipped in response: "Because it's more fun that way."
But afterwards, I wondered if the dramatic ritual developed because we
believed that the gods would sit up and listen more closely if we made a great
show of stomping around the circle and shouting their names. In truth, there
is a very good reason why Pagan ritual is often laced with a theatrical
quality: ritual and drama are two branches from the same ancient tree that
bear the fruit
of transformation.

We have all experienced the transforming power of theater. Drama has
the ability to create a heightened sense of reality. It acts as a
mirror, reflecting back to us our nature as human beings--from
ecstatic joy to tender love to the depths of darkness. The origins of western
theater are uncertain, but there are several different theories as to its
beginnings. The most popular appears to be the "ritual theory," that
proposes theater evolved from religious rituals such as those connected with
fertility and the spirits of the seasonal cycle.

Ritual can leave us deeply moved, and it can express all that we have
experienced and cannot otherwise put into words. It takes us on a
profound journey to places within ourselves, and we return forever
changed. There is a fine line between theater and ritual, yet it is important
to keep in mind the difference. The distinction lies in the difference
between art and life. More practically, we might say that theater requires an
audience. And ritual--since it is not created with an audience in mind--
requires participation from everyone.

Theatrical Elements in Ritual

Theater asks that you "suspend disbelief." That is, as an audience
member, you agree to forget the fact that you are sitting on a hard
folding chair in a small, crowded auditorium so that you can let yourself get
caught up in the action. You allow yourself to be carried away by the
story, believing that the canvas backdrop actually is a mansion, that the
train heard in the distance by the actors is indeed coming nearer, that sorrow truly
exists in the heart of the player.

When we engage in ritual, we ask the same--that those who attend play
along with us. We ask that they believe an orange crate covered with
a scarf is actually an altar of the gods, that the sudden wind in the
trees if the voice of the Goddess, and that the words we speak have the power
to move mountains. For what is the good of ritual, if not fueled by belief?
Through ritual, as through drama, the ordinary becomes sacred; the mundane,
divine.

Tools of the Trade

As magical people, we have many tools at our disposal. The most
powerful of these are our minds and hearts. If you've ever watched
good actors, you will notice that they appear to lose themselves in their roles.
They seem to become the characters they are portraying on stage. This is far
more than a case of "pretending." This is achieved through a combination
of concentration and surrender. Actors concentrate to remain entirely
focused on the moment at hand; they also surrender to allow
themselves to step into a character's soul.

In ritual, we take on the mantle of priest or priestess, initiate or
seeker. We allow a part of ourselves, our spiritual selves, to come
forth. And when we approach every action and every word with respect, and
allow ourselves to experience sacredness, we become absorbed in the
moment. Our personal experience becomes profound, and our reverence an
inspiration to others.

As with actors on stage, our bodies may also serve us well in
ritual. Movement is a form of language, and there is much to learn
from exploring the many ways you can express yourself through movement.
No matter how big your "role" is, try always walking with confidence and being
mindful that you are stepping on sacred ground. Magical people understand, too,
that the fingers, hands, and arms are extensions of the will. Use them
confidently and positively. Gestures not only look good in ritual and bring
attention to an action, they move the energy to where you direct it. Experiment with
movement. Even a brief introduction to martial arts forms, dance, or
movement techniques can go a long way in relaxing the limitations
most of us put on our physical expression. Know that being open to
the power of gesture and movement will make your body more effective in ritual.

Learn to project your voice. This comes from breathing deeply from
your belly and raising your voice when you speak. Projecting not
only ensures that everyone can hear you, it actually gives you confidence
when speaking. Whether you are calling the gods from the center of the
circle or singing a half-remembered chant from the sidelines, don't be afraid
to use your voice. Remember, there is great energy in sound, chant, and music,
and there is tremendous power in allowing your own voice to be released.

Other tools of ritual are more obvious. The "props" of magic are our
athames, chalices, cauldrons, and candles. In ritual, we treat these
as the sacred objects they have become. Who, among Witches, has
watched the dramatic plunging of the athame into the chalice and not held their
breath? These are simply gestures and props, yet together they
represent the most sacred act of the gods. Again, it is the mindfulness and
reverence with which we use them, which makes the moment meaningful.

Finally, the costumes, makeup, jewelry, and masks we don as ritual
garments offer us endless variety. Like the actor, we use these
elements to become something more than our ordinary selves. Slipping into a
ritual robe prepares you for ceremony; it focuses your attention on the thing you
are about to do; it reminds you who you are--a practitioner of
magic. Special clothing, masks, or makeup help us to move between the
worlds, calm any rambling thoughts, and tap into the spirit of a god or goddess.
They also serve as visual "prompts" for others, setting the stage and
bringing an aesthetic quality to ritual.

Tips For The Dramatically Inclined

To start, always plan ahead. Take time to put your ritual together,
select or write the "script," gather tools, examine a site, and
consider any other details. Determine how many people will be participating, how
people will interact, the overall desired result, and the experience you
want the participants to walk away with. Be organized. Know what you want to
accomplish, and convey this to all who are involved. Know where all
your tools, props, and costumes are, and have a designated place for
everything. Give clear directions. Delegate if you have more than
you can handle. At the same time, know that "when the spirit moves" during a
ritual, anything can happen. Like a live performance, there is always the
chance of something totally unexpected happening. Go with it. This is when
some of the most amazing and memorable things can happen.

Rehearse the ritual. Check the timing. Balance spectacle with
participation, making sure the ritual actually involves all
attendees. Run through the ritual so those who have roles know their
functions and have a sense of the continuity of the actions. Do the
drummers know their cue? Can the priestess actually walk in that gown you
want her to wear?

Consider the setting and the lighting. If the ritual is set outdoors
and starts in the evening, will it be dark just at the moment you
want everyone to see the most important symbol or gesture? If indoors,
what are your space limitations? If you have neighbors close by, do you have
a noise level to consider? In this case, perhaps a silent ritual, rich in
visual symbolism would be most effective.

Include some visual appeal. Costumes, makeup, masks, props, and
setting can have a tremendous impact on the overall effect of the
ritual. "Setting the mood" is essential, and can trigger a more
profound ritual experience.

Have verbal appeal. We are moved by beautiful music, by poetry, by
words of truth. Eloquence is always welcome in ritual, but be
careful not to extend into the obscure. Keep scripted parts of the ritual simple,
yet meaningful. Make sure those delivering lines understand what they
are saying, and can deliver them with conviction. As an alternative,
consider the power of silence. Some of the best rituals I've taken part in were
silent. Or make use of random environmental sounds such as the hoot of an
owl, or the sudden crackling of a candle flame--they can be more effective than
verse.

Draw upon the universal. The most effective ritual--and the greatest
of dramas--spring from universal human themes like love, sorrow, joy,
and the search for something greater than ourselves. The Pagan
pantheons lend us infinite possibilities for storytelling and inspiration.

Always have fun. As serious as we may be about our beliefs, our
practices, our rituals of worship, and our faith in the gods, always
remember that laughter and enjoyment are essential elements of life, and
therefore, essential elements of ritual. There will be mistakes, false starts,
and unexpected occurrences. This is what makes a live performance
exciting, and it's what makes ritual genuine.

The common elements of ritual and theater allow for a great
intermingling of the two. All ritual need not be dramatic. Some of
the most amazing rituals I've participated in have been simple, spontaneous
workings I've done alone, or shared with one other person. However, most
group ritual situations can benefit from the conscious infusion of theatrical
elements such as those discussed above. In the end, bringing the tools of theater
into the ritual setting can greatly enhance this sacred and transformative art
of worship.
by Jami Shoemaker

The light of a hundred stars cannot equal the light of the Moon.

Love Each Day,
Lady Nightshayde

http://groups.yahoo.com/group/13Witches/
http://groups.yahoo.com/group/WhisperingWitches/
http://groups.yahoo.com/group/MagickalMeals/
http://groups.yahoo/group/NightshaydesNews

7.1.

Elder's Meditation of the Day

Posted by: "Lady Nightshayde" LadyNightshayde9@aol.com   nightshayde99

Tue May 3, 2011 7:25 pm (PDT)





Elder's Meditation of the Day

"The old people came literally to love the soil and they sat or reclined on the ground with a feeling of being close to a mothering power...The soil was soothing, strengthening, cleansing and healing..."

-- Luther Standing Bear, OGLALA SIOUX

Have you ever noticed the relationship between children and the soil? Watch how happily they are touching the dirt. The children play in it and eat it. If you are stressed, go to a spot on the Earth, sit down, put your fingers in the dirt, dig in it. Wash your hands in the soil. When you touch it, notice what it does to your hands. Our bodies love to touch the Earth. Sometimes we get too busy and forget these simple things. Maybe you'll even want to plant a garden or flowers. These things are mentally healthy.

Great Spirit, today, let me touch the Earth so the Earth can touch me.

from www.whitebison.org

The light of a hundred stars cannot equal the light of the Moon.

Love Each Day,
Lady Nightshayde

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8.

How Did Magical Creatures Come to Be?

Posted by: "Lady Nightshayde" LadyNightshayde9@aol.com   nightshayde99

Tue May 3, 2011 7:26 pm (PDT)





How Did Magical Creatures Come to Be?
Magical and mythical creatures have been around for a long time. Do you remember the first time you saw or heard about a dragon? Was it on the television screen or in a movie theater? Or was it from a children's book or bedtime story?

Every culture has tales and folklore surrounding mystical and magical animals. These animals often inhabited stories as a way to explain and make sense of life on earth and act as a kind of spiritual doorway into the realm of the unknown. These stories told of how the world came to be.

Aboriginal people related stories visually through paintings on rocks and inside caves. Such paintings can be found in Australia, Africa, parts of Europe, and the Americas. According to many Native American legends, these animals came from the underworld, the sky world, and the Four Sacred Directions. In ancient Egypt, it was believed that the gods created both humans and animals and they were interdependent on each other. The Egyptians also believed that when the gods came to earth, they took on the animal forms whose qualities they shared. Likewise, many ancient Greek gods were also part beast, and the Greek legends tell of strange beasts defeated by heroes.

The Supreme All-Powerful Dragon
The dragon is probably the most supreme of all mythical creatures. In the West, dragons conjure up powerful images of a mythical beast to be feared for its destructive capabilities. Dragons often appear in fairytales and folklore, challenging a heroic knight or warrior, and quite often, the dragon is defeated in a struggle of good versus evil. However, there are also times when the dragon symbolizes good and uses its strength to terrorize evil and offers protection against evil forces. Attributes of the dragon include power, strength, luck, and good fortune.

In the East, the dragon is the most important symbol of wealth and luck. This magical creature assumed chief importance in China, where it represents goodness. Dragons are worshipped there in temples and are strongly associated with emperors. The Chinese have many theories about how dragons came to be. One theory suggests that the early dragon evolved from an ancient, giant crocodile. It is said that dragons can sense changes in air pressure and can detect the coming rain. Another theory about dragons is based upon the findings of dinosaur fossils. And according to yet another theory, the legendary Emperor of China, Huang Di, initially used the figure of a snake on his royal emblem. Every time he conquered another tribe, he incorporated their animal into his own emblem, and that was how the fantastical dragon was born.

The Eternal Phoenix
The term "phoenix" actually comes from the Greek word for "red," which is not surprising as the phoenix is associated with both fire and the sun. Its attributes are rebirth, rejuvenation, invincibility, and regeneration. Many cultures have their legends about this famous bird, which has become a symbol for immortality, as it literally "rises from the ashes." In Egypt, the phoenix was known as the "Bennu," and was a symbol of the sun god and associated with Osiris, the ruler of the underworld, who himself was resurrected.

Interestingly, only one phoenix exists in the world at a time. According to legend, after the passing of 500 or so years, the phoenix gathers aromatic herbs, woods, and spices and builds its own funeral pyre. Sitting on this nest of cinnamon, frankincense, myrrh, and other magical herbs and spices, the phoenix then ignites a fire, either by fanning its wings or with the help of the sun's rays. Its body is then consumed, and among the ashes an egg is found, which will hatch a new phoenix.

The Sacred Turtle
Turtles are among the most ancient and enduring of animals. They saw dinosaurs evolve and become extinct. They survived the Ice Age. Not surprisingly, endurance, persistence, strength, longevity, and success are attributes associated with turtles. Cultures around the world seem to have found something sacred in this animal, which seems to embody the earth itself and unite with heaven. The rounded, curved shell spreads like the heavens over the earth and the turtle seems to represent a model of the world itself, with its four feet being the four corners of the earth. Some believe that the future can be read in the pattern of the turtle shell.

In the Hindu religion, the turtle is the second incarnation of the god Vishnu. It was said that a great flood occurs every four billion years and covers the earth, which is when Vishnu transforms himself into a great turtle. He carries a vessel on his back containing all the elements necessary to replenish the earth. After a thousand years, when the earth has been reborn, the turtle remains in place, with a large elephant on his back, to support the planet.

The Importance of Magical Creatures
Magical creatures are creations evolved from the human mind. These mythical creatures originated from a variety of sources: oral histories, folklore, travelers' tales of exotic animals in faraway exotic lands and the imagination. Some of these mythical creatures represented powerful natural forces early humans could not understand and dangers they had to contend with, while others embodied mankind's deepest desires and wishes to exude power over life. Either way, these creatures are beautiful and mesmerizing and their strong universal presence speaks of the power of their existence.

The light of a hundred stars cannot equal the light of the Moon.

Love Each Day,
Lady Nightshayde

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9.1.

Today's Quote

Posted by: "Lady Nightshayde" LadyNightshayde9@aol.com   nightshayde99

Tue May 3, 2011 7:26 pm (PDT)





"If the world seems cold to you, kindle fires to warm it."
Lucy Larcom

Love Each Day,
Lady Nightshayde

The light of a hundred stars cannot equal the light of the Moon.

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10a.

The History of Mother's Day

Posted by: "Lady Nightshayde" LadyNightshayde9@aol.com   nightshayde99

Tue May 3, 2011 7:28 pm (PDT)





THE HISTORY OF MOTHER'S DAY

While many people might assume that Mother's Day is a holiday
invented by the fine folks at Hallmark, it's not so.

The earliest Mother's Day celebrations can be traced back to the
spring celebrations of ancient Greece, honoring Rhea, the Mother of
the Gods. The Romans called their version of the event the Hilaria,
and celebrated on the Ides of March by making offerings in the temple
of Cybele, the mother of the Gods. Early Christians celebrated the
festival on the fourth Sunday of Lent in honor of the Virgin Mary,
the Mother of Christ.

In more recent times, relatively speaking -- England in the 1600s--
the celebration was expanded to include all mothers with "Mothering
Sunday" being celebrated on the 4th Sunday of Lent (the 40 day period
leading up to Easter). Besides attending church services in honor of
the Virgin Mary, children returned home from the cities with gifts,
flowers, and special Mothering Day cakes that were important parts of
the celebration.

Mother's Day festivities in the United States date back to 1872 when
Julia Ward Howe (her other claim to fame was writing the lyrics for
the Battle Hymn of the Republic) suggested the day be dedicated to
peace. Ms. Howe would hold organized Mother's Day meetings in Boston,
Massachusetts ever year.

In 1907, Ana Jarvis, a Philadelphia, Pennsylvania school teacher,
furthered the cause by beginning a campaign to establish a national
Mother's Day. Ms. Jarvis persuaded her mother's church in Grafton,
West Virginia to celebrate Mother's Day on the second anniversary of
her mother's death, which happened to be on the 2nd Sunday of May
that year. By the following year, Mother's Day was also being
celebrated in Philadelphia.

Not content to rest on her laurels, Ms. Jarvis and her supporters
began to write to ministers, businessman, and politicians in their
quest to establish a national Mother's Day and in 1912, the Mother's
Day International Association was incorporated for the purpose of
promoting the day and its observance.

By 1911, Mother's Day was celebrated in almost every state in the
nation. In 1914, President Woodrow Wilson made it official by
proclaiming Mother's Day a national holiday that was to be held each
year on the 2nd Sunday of May. It is somewhat ironic that after all
her efforts, Ana Jarvis ended up growing bitter over what she
perceived as the corruption of the holiday she created. She abhorred
the commercialization of the holiday and grew so enraged by it that
she filed a lawsuit to stop a 1923 Mother's Day festival and was even
arrested for disturbing the peace at a war mothers' convention where
women sold white carnations -- Jarvis' symbol for mothers -- to raise
money.

Ana Jarvis' story is not a happy one. Things went from bad to worse
and she eventually lost everything and everyone that was close to her
and died alone in a sanatorium in 1948. Shortly before her death,
Jarvis told a reporter she was sorry she had ever started Mother's
Day.

Ana may be gone, but Mother's Day lives on, regardless of whether it
meets her approval. Many countries throughout the world celebrate
Mother's Day at various times throughout the year, but some such as
Denmark, Finland, Italy, Turkey, Australia, and Belgium also
celebrate Mother's Day on the second Sunday of May.

THE MOTHER BEHIND MOTHER'S DAY
The story behind Ana Jarvis's mother, one Anna Maria Reeves Jarvis,
is just as interesting than the story of Mother's Day itself. The
elder Mrs. Jarvis organized a series of "Mother's Work Camps" in West
Virginia to improve health and sanitary conditions before the civil
war. During the war she declared neutrality for her organizations and
regularly aided soldiers in need on both sides of the struggle.

The light of a hundred stars cannot equal the light of the Moon.

Love Each Day,
Lady Nightshayde

http://groups.yahoo.com/group/13Witches/
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11.1.

Cool Website of the Day

Posted by: "Lady Nightshayde" LadyNightshayde9@aol.com   nightshayde99

Tue May 3, 2011 7:29 pm (PDT)





Poetry Out Loud

Today's feature is sponsored by the National Foundation for the Arts and the Poetry Foundation. The site is geared toward encouraging high school students in the cultural arts by introducing the 'dynamic aspects of slam poetry, spoken word, and theatre into the English class. This exciting new program helps students master public speaking skills, build self-confidence, and learn about their literary heritage.' However, those who have completed their high school education should not skip this site. There are a host of poems on the site with information about the poet. The visitor has the opportunity to listen to some of the more works read by well-known performers such as Anthony Hopkins and Angela Lansbury; check out the Audio section in the Teachers and Students area. Here's definitely a site for poetry lovers of all ages!

Love Each Day,
Lady Nightshayde

The light of a hundred stars cannot equal the light of the Moon.

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12.

Moon Readings

Posted by: "Lady Nightshayde" LadyNightshayde9@aol.com   nightshayde99

Tue May 3, 2011 7:30 pm (PDT)





Moon Readings

Here are some ideas for how you can use the tarot along with the energies of the natural lunar cycle to reach a goal, complete a task, or simply live more in tune with the energies of the Moon. There are three levels of readings presented:

Basic: Four lunar phases, one tarot card per phase
Intermediate: Eight lunar phases, two tarot cards on the quarters, one for the eighths
Advanced: Lunar phases plus astrological transits and void-of-course periods

The theme of these readings is to pay special attention to the phases and Moon signs and how they influence your emotions and activities during the month. the overall concept is to choose one area to focus on for the coming lunar month, and use the energies of the Moon to help you bring it to fruition. Your goal should be something that can be realistically accomplished in this time frane, or a small part of something larger that can be broken down into month-long increments. I have found that a month is a usefil timeframe for accomplishing reasonable tasks, getting focused, and feeling good about the result, and this is one reason why lunar cycles are so valuable.

No matter which reading you're doing, keep a record of what happens with respect to the goal or area you have chosen to focus on. Be as specific as possible: if something noteworthy happens with respect to that goal, write down the date and time that it happened. At a consistent time each day, also write down your feelings about the task that day--good, bad, indifferent, focused on something else entirely, confused, elated, depressed, encouraged, etc. Since the Moon governs your emotional life, this record of your emotions will be very interesting to look at later. Also, as you go along, write down any progress, or lack of progress you make toward your goal. It's especially helpful to do this near the end of the month, so you can create a retrospective. At the end of the lunar month, take a close look at these journals and evaluate how and whether the lunar energies and the tarot readings helped you achieve your goals.

Basic--Quarter Phases

This is a month-long reading where one card is drawn at each quarter phase. Note in advance when the quarter phases will occur, so you can draw one card at the New Moon, First Quarter Moon, Full Moon, and Third Quarter Moon. It is beneficial to draw the card as close to the actual time of that phase as possible, but any time within the first day after the Moon enters that phase would be fine.

New Moon: The beginning of your project, taking the initiative, getting started, helping the seed to grow. You will use this card to focus your approach on getting started on this project forr the first week, until the quarter Moon. If you prefer to wait to draw this card until just after the Dark Moon, when the first sliver of light appears, that is fine also.

First Quarter Moon: This is where you meet the first challenging energy, and you'll need to analyze and evaluate how things are going and possible modify your approach. If you use uprights and reversals, you can use them to see how much difficulty you are likely to encounter, although you may already be quite aware of how well it's going. Possible questions for this phase could include: "What problem do I need to resolve to get back on track?" "What should be my approach over the next week to have the best chance of accomplishing my goal?" or even just "How's it going so far? Anything I should know about?"

Full Moon: This phase of the Moon represents accomplishment, completion, maturity, and fulfillment of your project or goal. The card yo draw here will help you determine what to do with this accomplishment over the next week. There may still be something you need to finish up, or this may be a card about sharing or disseminating what you have learned to others, or the card may simply be reflecting your accomplishment back to you, so that you can appreciate the progress you've made. If things have really fallen apart, you may want to use this card to ask yourself how things went so dramatically wrong, or what you can do over the next week to lessen the damage.

Third Quarter Moon: This quarter is where we let go of our task or accomplishment and prepare for the next cycle. Questions yo may want to ask with your tarot cared include: "What have I learned from this experience?", "How would I do it differently next time?", "What accomplishment can I feel good about?", What do I need to do to wrap this up?", or "What should I do to recharge and get ready for the next cycle?"

A completed example of a Phases of the Moon reading can be found at www.tarotmoon.com/readingdescriptions/PhasesMoon?phasesmoon.html. In this case, the reading itself was used to help the reader decide what to focus on in the coming month. If you would like to do it that way, then the New Moon card sets the tone and direction for the coming month by giving guidance on what would be most productive to work on. I did this reading at a time when my life was so complicated that I couldn't decide what to focus on. the answer was "Focus on simplifying your life!"

Intermediate--Eight Phases

This is an expanded version of the previous reading, with the intermediate phases added in and extra cards at the quarter phases.

New Moon (Two Cards): One card is the seed, the idea, the overall focus of the entire coming month. You can use this to choose your goal for the month, or to evaluate the types of challenges and activities and energies you will need to deal with in order to achieve your goal. the second card is the initial laning for your idea: how to make it happen, what research you might need to do, getting your reserves together, and getting ready.

Crescent Moon (One Card): One card is drawn here to repressent your first actions toward your goal. there is positive energy flowing between the Sun and the Moon during this phase, so make use of that energy to get off to a good start.

First Quarter Moon (Two Cards): Choose one card to represent difficulties, problems, or adjustments to your plans that you might need to make, and another card to represent the actions you need to take in order to positively resolve this challenging energy.

Gibbous Moon (One Card): This card indicates what you need to do to bring your project or goal to fruition at the Full Moon--any last-minute adjustments or changes, final issues to resolve, or how to deal most productively with what may be a very busy time.

Full Moon (Two Cards): One card is chosen to represent what you are bringing into being at the Full Moon. This can be compared to the card you drew at the New Moon to see if you are creating what you expected to bring about, or something different. This is the culmination of your efforts this cycle, though not necessarily your last chance to complete something. The second card represents how to find balance in this emotional time when the Sun and the Moon are in opposition and tugging you in different directions. This card shows how to integrate the emotional and intellectual sides of whatever you are bringing into being.

Disseminating Moon (One Card): This card represents what you can do with this creation--celebrate, learn from it, give it away, teach others about it, write an article, check it off your list.....

Third Quarter (Two Cards): One card is chosen to represent any last thing you need to do to finish up this cycle, tie up loose ends, settle issues, put on the finishing touches, and begin the process of releasing this task. The second card is an evaluation card--how did things go? What can you learn from what happened this cycle? What was done well or poorly?

Balsamic Moon (One Card): This card represents how to achieve a complete release of what has happened this cycle, and how you can rest and recover from its activities. This card suggests a way to recharge your energies, release any negativity, and even release attachment to your positive outcomes. this is a time to quiet your mind and body for renewal of the cycle.

Advanced--Astrological Signs and the Void-of-Course Moon

This reading supplements the basic or intermediate reading, taking into account the special energies supplied by the Moon's sign (and any other astrological considerations your experience allows). FOr example, a New Moon in an earth sign might be a good time to begin a practival endeavor. A First Quarter Moon in Leo might represent challenges that come in the form of having to deal with people's need for recognition. These energies can be taken into consideration as you frame your questions and draw your caards. Try this approach first before moving on to the more complex methods belowl

Instead of drawing cards at the lunar phases, you may choose to focus on the Moon's transits through astrological signs. As soon as the Moon moves into a new sign, draw one tarot card to represent the area of your life in which you are most likely to feel the Moon's influence while it is in that sign, or the way in which you are most likely to feel the Moon's influence while it is in that sign, or the way in which it is likely to affect you. You can have a goal in mind for the month, or you may just want to use this approach to become more familiar with how various lunar energies affect you. If you do choose to set a goal for the lunar cycle, you could ask how this type of lunar energy tends to help or hinder your goal. If the lunar energy appears challenging, you may wish to chooose a second card to indicate how you can best work with this energy. Either way, keep track of how you feel and what happens, and see if it matches what the Moon and tarot card(s) together would suggest.

How a particular lunar energy feels to you depends in part on the elemental affinities of the signs and the aspects they make to your personal Moon sign.

Same Sign: If the Moon in your birthchart (your natal Moon) is the same as the current Moon sign, the two will tend to reinforce each other (like a conjunction). You will feel at home and comfortable emotionally. The down side is that it may tend to exaggerate any traits or tendencies that are negative as well as positive. So, for example, someone with a natal Moon in Capricorn has a tendency to be a workaholic during the Capricorn Moon; a natal Leo Moon will want even more attention and recognition than usual during the Leo Moon, etc. This is also true if the current Moon sign matches your natal Sun sign or rising sigh: there will be a familiar connection that makes that Moon's energy more comfortable for you.

Same Element: If your natal Moon is in the same element as the current Moon sign, energies should flow fairly freely and comfortably between them. In the zodiac, signs that share an element are in a trine aspect to each other (120 degrees apart), which is considered a positive aspect. There will still be a tendency to reinforce and increase whatever that element is known for. In the case of water Moons, it may be a very emotional, intuitive time; for Fire Moons, the need for action may be reinforced.

Friendly Element, Opposite Sign: The sign opposite another sign in the zodiac is always a friendly element--Fire/Air or Earth/Water combination. These signs have a strong attraction for each other and can work together in quite positive ways. There is usually a lot of energy flow, but there can also be some tension in these combinations. When the Moon is in Scorpio, for example, someone with a natal Taurus Moon will feel this energy and tension--the powerful sexuality of the Scorpio Moon bringing out the sensual, emotional nature of the Taurus (and perhaps tempting her past her usually more cautious boundaries).

Love Each Day,
Lady Nightshayde


The light of a hundred stars cannot equal the light of the Moon.

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13a.

Eleven Things Every Witch Should Know

Posted by: "Lady Nightshayde" LadyNightshayde9@aol.com   nightshayde99

Tue May 3, 2011 7:35 pm (PDT)




Eleven Things Every Witch Should Know

1. Magic is what happens when you open yourself to the Divine. All real
magic is a manifestation of the Divine - it is how you co-create reality
with deity.

2. The Divine is within you and is everywhere present in the natural
world. And everything is interconnected by this sacred energy.

3. Wicca is not about information -- it's about transformation, so
practice, practice, practice -- and do it as much as possible in
Nature! Witchcraft enables you to commune with divinity and to manifest
your destiny, your desires and your highest and sacred self.

4. The real ethics of how Witches live and practice magic are
simple: Witches live in a sacred manner because we live in a sacred
world. We therefore treat all of life with reverence and respect.

5. Because all magic flows from our connection to the Sacred, our lives
and our magic, must be guided by the sacred nature of the energy with
which we work.

6. The energy Witches work with is not neutral -- it is divine love.

7. Magic often works in unexpected way because it is not a mechanical
process, and the Universe is not a machine. You are living and making
magic within a divine, organic, living reality.

8. Witches don't command and control -- they commune and co-create.

9. The real secret of successful spell casting, as with all of magic, is
your connection to the Divine power that dwells within you, and
surrounds you. And spells do work so be careful what you ask for!

10. Nature makes the Divine tangible. By working, living, and practicing
your magic in harmony with Nature, you are in harmony with the Divine.

11. The ultimate teacher is the God/Goddess inside you and in the world
of nature all around you.

By Phyllis Curott

The light of a hundred stars cannot equal the light of the Moon.

Love Each Day,
Lady Nightshayde

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14a.

Witch Rosary

Posted by: "Lady Nightshayde" LadyNightshayde9@aol.com   nightshayde99

Tue May 3, 2011 7:36 pm (PDT)



Witch Rosary

Made in the form of a necklace or belt, the Witch Rosary is a consecrated
Amulet that serves a triple function.

It gives Amuletic power to the wearer.

It serves as a 'reminder' in the performance of certain Spells, in the same
manner as Arabic or Christian rosaries.

It contains Stones that can be removed and used singly in magic operations.

The Witch Rosary may be made in two forms.

1) As a string of beads, each of which is a Stone with certain magical
properties, and which may be removed from their settings at will (this type is
rather expensive).

2) Or in the form of a belt or necklace with leather pouches, each of which
contains one of the Stones.

The Witch Rosary ends in an Ankh, worn as a pendant if it is a necklace or
worn as a buckle if it is a belt.

The components of a Witch Rosary are:

1) Moonstone (The Moon)
2) Hematite (Fire)
3) Crystal Quartz (Air)
4) Earth Stone (Earth)
5) Lapis Lazuli (Water)
6) Amber (Sun)
7) Birthstone (Stars)
8) Ankh, as pendant or buckle

Substitutions may be made as follows;

1) Opal, Mother of Pearl
2) Flame Agate
3) Crystal
4) Emerald
5) Blue Amethyst
6) Chrysolite
7) Gem with a Natural Star
8) No substitute for the Ankh

If worn as a necklace, the stones may be separated by knots in the cord, or
there may be three silver beads between each stone. If it is worn as a belt,
there may be three wooden beads between each of the leather pouches that
holds a stone; these wooden beads may in turn be separated by knots in the
leather cord (usually), if a cord is used.

The Witch's Rosary can be worn in the world, for it will pass as an unusual
belt or necklace.

It is said that many Witch's liked to wear them when they expect to
encounter hostile forces or possible enemies. It may be worn externally, seen by the
world, or under the Witch's garments, invisibly.

source unknown


The light of a hundred stars cannot equal the light of the Moon.

Love Each Day,
Lady Nightshayde

http://groups.yahoo.com/group/13Witches/
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15a.

What is a Wicked Witch?

Posted by: "Lady Nightshayde" LadyNightshayde9@aol.com   nightshayde99

Tue May 3, 2011 7:38 pm (PDT)




What is a Wicked Witch?

The wicked Witch is an intriguing character. Her ugliness, threatening
manner, and maliciousness are uncontestable, yet there is more substance beneath
the obvious and hideous outer shell. Following many threads of literature,
film, and art, I've sought to find the truth of this character behind the
tattered robes and striped socks.

A Quick History of the Wicked Witch

In the early literature of the Greeks and Romans, Witches were young and
sexy and got away with murder, literally. The tales of Medea's brews and
incantations, and Circe's allure to seafaring men, make for fascinating reading.
These two were dangerous, tricky, and sometimes evil, but they had absolutely
no warts on their lovely noses. The Greeks and Romans had a fuller
appreciation for powerful women, possibly because they were still conversant with
various forms of the Goddess.

But time and religion distanced Western culture from a healthy spectrum of
feminine images. By the fifteenth century, wicked and ugly Witches began to
appear in primitive woodcuts. They are angular and grim, yet paradoxically
they engage in lascivious activities with a goat-like master. These surreal
presentations seem silly until the next page reveals a picture of a Witch being
sizzled at the stake. They must have been very, very wicked, indeed.

Some Ideas About Wickedness

What is wickedness exactly? Is it the embodiment of malice and threat in
feminine form? Or is it merely a derogatory label for women who did what they
bloody well wanted in spite of pressure to conform? A legacy of religious
persecution passed from the Romans to the Inquisitors, and many dissenters and
heretics were burned. But the loss of the full spectrum of feminine images
caused Witches to elicit an especially fierce variety of harassment.

The traditional Anglo-Euro wicked Witch is a specialized offshoot of the
dark feminine image portrayed in the folklore and myths of many cultures. This
feminine image, once respected in early civilizations, became demonized in a
culture obsessed with virgins. Literature from the Middle Ages to the
current era paints her as the enemy of the lauded hero. She is his polar opposite.
Her blood mysteries and ecstatic wildness are an anathema to his pristine,
rational, masculine persona. She evokes a crisis, an imperative mission for
the knight to defeat or overcome her traps, lures, artifices, and spells. The
hero must mobilize his resource and allies to win.

The Grimm Brothers wrote many tales that follow this plot line, only varying
to the extent that a couple of snotty older brothers run into her first and
go down hard. The irony of Grimm is that the hero often possesses his own
magic to put an end to the Witch's design. Apparently it is acceptable if the
heroes use it, but not Witches. That is, being wicked evidently isn't about
the magic--so it could only be about two things: thwarting the hero, or being
a woman.

Modern Witch Visions

Contemporary works presents the full flowering of the wicked Witch. In The
Wizard of Oz, Frank L. Baum created the Wicked Witch of the West, whose
winged monkeys terrorize the skies of Oz and good old Dorothy. Dorothy joins
forces with the Scarecrow, Lion, and Tin Man, and destroys the Witch. The
Witches in Disney's Snow White (1952) and Sleeping Beauty (1959) are also out to
kill the title characters. Disney drafted the tales from Grimm and Perrault,
but crafted a modern view of wicked Witches in animated films. Snow White's
stepmother is conniving and treacherous, but Maleficent in Sleeping Beauty is
a maelstrom of evil powers. She can teleport, curse, terrorize, abduct,
engulf an entire castle with thorns, and finally morph into a dragoness of
monstrous proportions. Disney makes clear the line between good magic and bad in
his films. His Witches have no redeeming features, and are obstacles to true
love in both stories.

In these tales, the juxtaposition of the dark feminine with bright masculine
reaches its greatest extreme: as the hero gets brighter, the Witch gets
darker. Yet in modern literature, the gory Maguire's book, Wicked (1995), the
Witch character is angry, defiled, and trivialized, and blooms into magnificent
vengeful rage. Yet Maguire gives her the burden of inexorable fate,
writing: "When the times are a crucible, when the air is full of crisis, those who
are most themselves are the victims."

Perhaps Maguire is correct. The individual driven by righteous fury is soon
catapulted into ego oblivion. The wicked Witch can arise, but her
vengefulness leads to a doom of her own making--a sacrifice for the forces of light.
The wickedness that is her greatest strength is also her greatest liability,
leaving her vulnerable to the socially acceptable hero.

In a culture of youth and beauty, the wicked Witch, the old hag or crone, is
the antithesis of desirability. She is unwanted by men and feared by all.
Her capacity for polarizing the hero archetype is decried as evil, but who
else will activate his destiny? The wicked Witch antagonizes human intellect
into motion, single-handedly compelling a protagonist into asserting his
courage. She makes a man into a hero, but is not thanked for it.

The lonely exception to this attitude is found in Carlos Castaneda's wicked
Witch, La Catalina. She stalks Carlos, and attempts to kill him. Don Juan
points out to Carlos how he should appreciate her efforts on his behalf.
Carlos screws up every encounter with her and barely escapes through dumb luck.
Juan tells Carlos, "There are some people who are very careful about the
nature of their acts. Their happiness is to act with the full knowledge that
they don't have time; therefore, their acts have a peculiar power." Carlos is
not allowed to indulge in hatred toward his opponent. Don Juan insists that
La Catalina is necessary for his development as a sorcerer.

Much like Maguire, Castaneda blurs the lines between wickedness and
nonwickedness. They have found a place and a meaning for the dark feminine image,
shifting away from revulsion and rejection to a more thoughtful assessment of
the wicked Witch's role. They are not liked, for no amount of storytelling
can change a wicked Witch into a lap cat. But they are respected as a source
of causality, a mechanism of greater destiny. Perhaps this is a sign that
Witches have come full circle, back to the place they held in the days of Homer
some 3,000 years ago.

The wicked Witch cannot be released with impunity: her realm of authority is
fearsome. Her actions result in heroic efforts, a battle for survival. To
encounter the wicked Witch within the psyche unleashes seething emotions from
the restraints of ethics and rationalism. Opposing the wicked Witch is a
catalyst for resourcefulness, ingenuity, and bravery in the face of danger.
Both are exhausting experiences, but without her the wheels of fate cannot
grind on toward the goal.

Each October, the wicked Witch resurfaces in the mass consciousness as
Samhain approaches. Cartoons of the hag in black on a broom appears on doors and
in yards. This commercialized image obscures her real meaning and power
year I'll see those images with new respect, and honor her for the part she may
play in a life filled with mundane chores and daily grinds. When she is
doing her worst she is at her best. She is the hard corner around which glorious
fate turns.

by Elizabeth Haze,
copyright 2003

The light of a hundred stars cannot equal the light of the Moon.

Love Each Day,
Lady Nightshayde

http://groups.yahoo.com/group/13Witches/
http://groups.yahoo.com/group/WhisperingWitches/
http://groups.yahoo.com/group/MagickalMeals/
http://groups.yahoo/group/NightshaydesNews

16.

The Dancers Tarot - "The Chariot"

Posted by: "Moti" moti@contactimprov.com   dancecontact

Tue May 3, 2011 7:48 pm (PDT)



Dear friends, witches, and dancers,

I want to share some of my progress on "The Dancers Tarot", my new Tarot
deck. I've got a finished version of the Chariot card for you to see.

You can read all about project here and help out:
www.kickstarter.com/projects/600727120/the-dancers-tarot
<http://www.kickstarter.com/projects/600727120/the-dancers-tarot>

The Chariot, chosen at random by my pregnant model was so ideal for
where she is, and simultaneously perfect for this project's trajectory.
Through the process of creating the card I keep deepening my
understanding of its meaning. I was at first a skeptic of whether the
card was right for a pregnant woman to represent. I've only ever seen
pregnant woman portray the World card (aka: The Universe) or the
Empress.

[The Chariot]
<http://www.contactimprov.com/news/images/The-Chariot.jpg>

Knowing where you are going and being determined to get there is part of
the clear symbolism of the Chariot. Part of the deeper meaning that
came through to me as I created the image, is the balance between
control and surrender. So important in birthing a baby... or a project!
Letting go and letting the horses/baby direct, even as one attempts to
hold the reins.

There's also something about protection vs. vulnerability that pervades
this image: A naked belly, yet the fetus so protected by the mother;
the protective shell of the manmade chariot cart, yet the rawness of the
horse's energy.

Intuition guides from within. Really, the mother is the vehicle for
this new soul to start its journey and he/she already has direction.
All one must do is TRUST. Coincidentally, the Models tattoo says
"trust."So I'm trusting that whatever happens next in this adventure
will be perfect! I hope to start another image by my next update.

Till then...In Motion,Moti

www.kickstarter.com/projects/600727120/the-dancers-tarot
<http://www.kickstarter.com/projects/600727120/the-dancers-tarot>

<http://www.kickstarter.com/projects/600727120/the-dancers-tarot>

I can't wait to update you on my progress.

In Gratitude,
Moti Mark Zemelman

17.

Article about Bin Laden's Death

Posted by: "Lady Nightshayde" LadyNightshayde9@aol.com   nightshayde99

Tue May 3, 2011 8:50 pm (PDT)




While I don't like political discussions on the list, I read this article and it really hit home with me. Here is the link, for your personal use.

http://www.huffingtonpost.com/pamela-gerloff/the-psychology-of-revenge_b_856184.html

The light of a hundred stars cannot equal the light of the Moon.

Love Each Day,
Lady Nightshayde

http://groups.yahoo.com/group/13Witches/
http://groups.yahoo.com/group/WhisperingWitches/
http://groups.yahoo.com/group/MagickalMeals/
http://groups.yahoo/group/NightshaydesNews

18.

Names for Healing Circle, 5/4/2011, 12:00 am

Posted by: "13Witches@yahoogroups.com" 13Witches@yahoogroups.com

Tue May 3, 2011 8:54 pm (PDT)



Reminder from: 13Witches Yahoo! Group
http://groups.yahoo.com/group/13Witches/cal

Names for Healing Circle
Wednesday May 4, 2011
All Day
(This event repeats every week.)

Notes:
If you have any requests for healing energies or candle-lighting please send them in for the Healing Circle, which is done every Wednesday Night.

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